I’m really happy to be involved in a small way with the wonderful Sing In The City organisation. Even though Covid has has a big impact, the music goes on! Hanley & The Baird is the band formed by SITC Musical Directors Kirsty Baird and Annette Hanley to support the choirs and ‘Looking At Me, Looking At You’ is their great new single. Available on all good platforms … listen, and most importantly BUY it now! And follow Hanley & The Baird on Facebook 😉
With gigs and recording with people out of the window for the time being, I spent some time having fun remixing (with Jan as Executive Producer!). We have really enjoyed transforming this great track ‘Skin’ by Man of Moon from Rock to Electronic Dance. Thanks Chris & Michael. Not our usual style, more Donna Summer meets The Chemical Brothers! Enjoy J&G xx
Can be a potentially dodgy thing when a long gone and cherished band makes some kind of come back, especially with few original members (in this case 1), but this isn’t at all the same and it turned out magnificently!
Original XTC drumer Terry Chambers reunited with bassist Colin Moulding for their wonderful TC&I recording and shows in 2017. I was there! Since Colin stepped back from playing, this EXTC project is Terry carrying on with Steve Tilling and Gary Bamford from those shows, reviving songs from XTCs extensive catalogue rather than mainly Colin’s songs. Since XTC stopped performing in 1982 (carried on recording ’til 2000) but have become legendary over the years, the excitement about this first open warm-up show was incredible and people travelled very long distances, including me!
Well you might imagine a barely credible tribute band … but no! What a great job of replicating such interesting and challenging songs pretty faithfully. All great players but much credit must go to Steve Tilling, a leader and driving force, for assembling such a convincing and compelling experience delivered with great skill, panache and humour! Terry Chambers is a great drummer and can still bash those skins with the same power and unique technique (see video I took below of ‘Ball & Chain) and credit also to Gary, Matt Backer and Ken Wynne for great jobs on keys, guitars and bass.
A packed, enthusiastic crowd of super fans with 2 marvellously played sets of their favourite songs was a magic combination. We sang along ’til hoarse and cheered them to the rafters! Great to see old friends and make some new ones too. Catch them asap when all this Coronavirus is over!
What a great night at Alan’s party. Thanks for having us and we had a blast just like everyone else seemed to. The birthday boy even got up to play guitar on Spring Rain by The Go-Betweens! Thanks to various people for pics and vids, not sure who’s, sorry!
I think I must have died and gone to heaven! Gig of the century for me? I think so, at least equal! Having just seen my favourite band in the world at a great show in Amsterdam last week how could they top that? Maybe 2 reasons –
This was the second last show of the their entire 6 months (with breaks) of ‘The Center Won’t Hold’ tour, and having fun, they threw the kitchen sink at us with 27 songs over nearly 2 hours covering their extensive career. Secondly, Barrowland is bigger than Paradiso and hey it’s Glasgow. So the great energy from the band was given back from an ecstatic crowd in spades and the feedback loop of love was magic to behold! Great sound helped. So spectacular, like a mad fanboy I jumped up and down and sang all the words like a loony!
And what a set. So many of my faves and quite a few changes from Amsterdam, great to cover so much ground with new ones sounding super live and lots of time for the most loved classics. ‘The Fox’ is my favourite S-K song, played brilliantly, but Corin Tucker doesn’t scream the high bits quite the same nowadays. Losing it? No way given the evidence of ‘Gloria’, where in the only cover of the night (Laura Branigan) Corin let rip with the perfect song to show off her stunning voice. I was dubious to see that one on the list but wow, surprised and impressed.
Not to be outdone, my guitar heroine Carrie Brownstein surpassed her Amsterdam self with even more of her usual intensity. The same brilliant and unique guitar playing and singing, but even more of her trademark moves. How she can jump around, high kick, play and sing, all at the same time is a fabulous mystery! Katie, Toko also brilliant, and especially Angie incredible on drums, but the band is so much about Carrie and Corin (though I still miss Janet). What a night. Couldn’t love them any more.
I LOVE Sleater-Kinney so much, but it’s baffling that I never managed to see them live until tonight. Sorted! Still magnificent. I bopped along and sang all the words ’til I was sweaty and hoarse … magic. After a tour break Carrie and Corin seemed really up for this and appeared to enjoy it nearly as much as I and a packed Paradiso did. The level of smiling and grinning all round was a pleasure to see. I always wanted to go to this iconic venue too and was not disappointed.
I’m still gutted that Janet Weiss has left the band (so I must go see her in Quasi asap) but Angie Boylan played all Janet’s big beats superbly, bravo! New songs sounded great and so many of my old favourites were smashed in a brilliant, lengthy set. To hear my favourite song ‘The Fox’ live … my life is now (almost) complete … until I see them again in Glasgow next week!
I ‘needed’ to get to see Sleater-Kinney and this was all the excuse required to organise a few days with Karen in lovely Amsterdam taking in the gig at the iconic Paradiso. What a great city. So much fun. Will definitely go back!
Only last October since I last saw black midi, and this set couldn’t have been much more different. Only 6 songs from their album ‘Schlagenheim’ … crowd pleasers like ‘bmbmbm’ left out and guitarist Matt replaced (temporarily I think) by sax and keys players. The rest of the set was so jazz and jazz/rock I know many people were flummoxed and unhappy with their new musical marmite. A band not afraid to experiment and move on … quickly!
Well I loved it all. I’m completely happy with the jazzy direction and their playing, and Geordie’s singing, is so magnificent they haven’t put a foot wrong for me yet. More, much more to come from black midi.
Spoken lyrics are a thing now apparently, and a very good thing delivered by Florence over catchy guitar riffs from London’s Dry Cleaning. I’ve listened to them a lot recently so I could follow what she was on about, though even stood right in front the sound was dominated by guitar and unfortunately couldn’t hear her all that clearly. The only downside to a great night.
I have listened to the music of Sorry a lot recently, great stuff and knowing the words from a new band made such a brilliant show more enjoyable! Led by Asha Lorenz and Louis O’Bryen from London, Sorry have a varied style recorded but sound more straightforward and powerful live, less jazzy, more rocky, but with the clever songs, intelligent intertwining instrumentation and twisted lyrics that make them a bit unusual … and special!
A packed sold out Sneaky Pete’s was also well appreciative and what a great set they got, all the songs I’ve grown to like and some new ones for their album due out in March – on that right away! Asha is so tiny but owns the room with her effortless cool and no little guitar skills. What a band … talented, young and super cool (makes you sick!). Buy the album soon!
